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SANDRA ERBACHER
  • Home
    • (question-repeat-failure-record)
    • Invasive Species
    • The Hands that write History
    • Traces, shadows and other peripheral findings
    • Formations
    • How to Disappear
    • An Index of the Strategic and Structural Obfuscation of Discipline
    • The Return of History
    • Double Stroke
    • Interior Effects
    • TIIC
    • Geometry of Oppression
    • That the World Should Know no Men but These
    • You know she's a little bit dangerous
    • Zeppelins and Phalluses
    • Ecology of Hate
    • The Smallest Murmur
    • A l l I l l W I l l
    • Border Studies
    • Twitching, trembling, twinning, freckling
    • Viewfinder Collages
    • Untitled
    • Garden of the Past, Garden of the Future
    • Intelligence Collages
  • About
SANDRA ERBACHER
  • Home
    • (question-repeat-failure-record)
    • Invasive Species
    • The Hands that write History
    • Traces, shadows and other peripheral findings
    • Formations
    • How to Disappear
    • An Index of the Strategic and Structural Obfuscation of Discipline
    • The Return of History
    • Double Stroke
    • Interior Effects
    • TIIC
    • Geometry of Oppression
    • That the World Should Know no Men but These
    • You know she's a little bit dangerous
    • Zeppelins and Phalluses
    • Ecology of Hate
    • The Smallest Murmur
    • A l l I l l W I l l
    • Border Studies
    • Twitching, trembling, twinning, freckling
    • Viewfinder Collages
    • Untitled
    • Garden of the Past, Garden of the Future
    • Intelligence Collages
  • About
  • More
    • Home
      • (question-repeat-failure-record)
      • Invasive Species
      • The Hands that write History
      • Traces, shadows and other peripheral findings
      • Formations
      • How to Disappear
      • An Index of the Strategic and Structural Obfuscation of Discipline
      • The Return of History
      • Double Stroke
      • Interior Effects
      • TIIC
      • Geometry of Oppression
      • That the World Should Know no Men but These
      • You know she's a little bit dangerous
      • Zeppelins and Phalluses
      • Ecology of Hate
      • The Smallest Murmur
      • A l l I l l W I l l
      • Border Studies
      • Twitching, trembling, twinning, freckling
      • Viewfinder Collages
      • Untitled
      • Garden of the Past, Garden of the Future
      • Intelligence Collages
    • About

Untitled (Measurements), 2026

Untitled (Ears), 2026

A l l  I l l  W I l l, 2024, Penumbra Foundation, NYC

(question–repeat–failure–record) with Ruth Estévez, Vera List Center, NYC, 2025

Crowd Psychology, 2025

Twitching, trembling, twinning, freckling, 2025

Viewfinder (War Studies 1), 2025

Viewfinder (War Studies 2), 2025

Invasive Species, A.I.R., Brooklyn, 2023

Divide and Conquer, 2023

Ecology of Hate, 2023

Can You See What I See, 2023

Traces, shadows and other peripheral findings, Rueff Galleries, Purdue University, 2022

The Hands that write History, SVA Galleries, 2022

Connect the Dots, 2023

Zeppelins and Phalluses (with Luke Stettner), 2020

How to Disappear, 2020, MH Project, NYC

An Index of the Strategic and Structural Obfuscation of Discipline, 2020

The Smallest Murmur, 2019, Cuchifritos Gallery and Project Space, NYC

The Return of History, 2019, ICP, NYC

Double Stroke (with Eddie Villanueva), 2019, Office Space 2, New Brunswick, NJ

Garden of the Past, Garden of the Future, 2018, The Fitchburg Art Museum, MA

Interior Effects, 2018, The Fitchburg Art Museum, MA


Geometry of Oppression, 2018, SPACE, Portland, ME

Osiris, 2018

TIIC, 2018, Border Patrol, ME

That the World Should Know no Men but These, 2017, GRIN, Providence, RI

You know she's a little bit dangerous, 2014, Chazen Museum of Art, WI

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